| Title | Author | Tags / Collections | |
|---|---|---|---|
![]() | Drive-by Cannibalism in the Baroque Tradition (Brooklyn, NY: UpSet Press, 2014) | Amir Parsa (Author) | Fiction, Review, American Fiction -- 21st century / Permanent Collection |
![]() | Looking for Leroy: Illegible Black Masculinities (New York: NYU Press, 2013) | Mark Anthony Neal (Author) | Race, Critical theory, African American studies / BAM Reading Room (2017), Recovered books, Workshops |
![]() | Songs of Innocence(Minton, Balch & Co., ?) | Permanent Collection, Laurin Raiken Archive | |
![]() | Art Treasures from Japan(The National Commission for Protection of Cultural Properties, ?) | Permanent Collection, Laurin Raiken Archive | |
![]() | Mar-66(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
![]() | The Whitney Review 1964-1965(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
![]() | Shaped by the People: Conversations on Participatory Education (Jersey City, NJ: Conveyor Editions, December 2019) | Harrell Fletcher (Editor), Molly Sherman (Editor), Lisa Jarrett (Contributor), Rosten Woo (Contributor), Anna Craycroft (Contributor), The Living School of Art (Contributor), Dawn Philip (Contributor) | Art, Pedagogy, Critical theory, Self-publishing, Art education / Permanent Collection |
![]() | Dark Company (Kolkata, IN: Seagull Books, 2013) | Gert Loschütz (Author), Samuel P. Willcocks (Translator) | Fiction, Germany and German Language / Permanent Collection |
![]() | Displacements: Cultural Identities in Question (Bloomington, IN: Indiana University Press, 1994) | Angelika Bammer (Editor) | Essay collection, Disidentification, Cultural memory / Permanent Collection, Jaime Davidovich Collection |
![]() | Spine (Cleveland, OH: Museum of Contemporary Art, 2017) | Lisa Oppenheim (Artist), Karen Archey (Editor), Jill Snyder (Contributor), Andria Hickey (Contributor), Laura Solomon (Contributor), Maika Pollack (Contributor) | Exhibition catalog, Photography, Textile and fiber arts / Permanent Collection, Orit Gat Collection |
![]() | No More (Cruel) Optimism (Folium, London, UK; 2023) | Linda Zagidulina (Editor), Pietra Galli (Editor), Debbie Poon (Editor), Sandy Hoonjan (Editor) | Anthology, Mental health, Risograph, Ecology and Environmentalism / Permanent Collection |
![]() | After Jews And Arabs: Remaking Levantine Culture (Minneapolis, MN: University of Minnesota Press, 1992) | Ammiel Alcalay (Author) | Israel, Europe, Middle Eastern studies, Palestine / Residency Collection, KAF Residency |
![]() | Lyonel Feininger, Marsden Hartley(The Museum of Modern Art, ?) | Permanent Collection, Laurin Raiken Archive | |
![]() | Patrons and Patriotism: The Encouragement of the Fine Arts in the United States 1790-1860(The University of Chicago Press, ?) | Permanent Collection, Laurin Raiken Archive | |
![]() | Sep-66(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
![]() | Introduction to 20th Century American Art: Selections from the Permanent Collection(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
![]() | One Hundred Demons (Seattle, WA: Sasquatch Books, 2005) | Lynda Barry (Author) | Comic, Graphic novel, Review / Permanent Collection |
![]() | Continuum: Collected Happenings and Writings (New York: Care of Time, 2019) | Sarah Boulton (Afterword) | Art, Performance, Contemporary art, Publishing performance / Permanent Collection |
![]() | The Story of My Teeth | Valeria Luiselli (Author), Christina MacSweeney (Translator) | Mexico, Fiction, Spanish language / Permanent Collection |
La Revolución Del Video (Buenos Aires, Argentina: Centro Cultural Ricardo Rojas, Oficina de Publicaciones, Ciclo Básico Común, Universidad de Buenos Aires, 1996) | Jorge La Ferla (Author) | Art criticism, Video art, Latin American Art / Permanent Collection, Jaime Davidovich Collection | |
![]() | Doing Documentary Work (New York: New York Public Library and Oxford, U.K.: Oxford University Press, 1997) | Robert Coles (Author) | Documentary, Photography, Social documentary photography / Permanent Collection, Orit Gat Collection |
![]() | A Day as a Disappearance (Seoul, KR; Rasun Press, 2022) | Boma Pak (Artist) | Water, Artist’s book / Permanent Collection, Yellow Pen Club |
![]() | vs. Interpretation: An Anthology on Improvisation, Vol. 1 (Prague, Czech Republic: Nadace Agosto Foundation, 2015) | David Rothenberg (Editor) | Anthology, Music, Performance / Permanent Collection, inseparable assembly Reading Room |
![]() | Mirror & Pomegranate: Works from the Private Archives of Andrey Tarkovsky and Sergei Parajanov (London: White Space Gallery, 2013) | Sergei Parajanov (Author), Andrey Tarkovsky (Author), Zaven Sargsyan (Contributor), Alexander Kan (Translator), Henrietta Foster (Contributor) | 20th century, Archives, Artist writing, Film and Film Studies / Permanent Collection |
![]() | A Collection of Watches Loaned to the Metropolitan Museum of the City of New York(The Gilliss Press, ?) | Permanent Collection, Laurin Raiken Archive | |
![]() | Hans Hoffmann 1880-1966: A Special Exhibition of Major Paintings to Mark the Centennial of the Artist's Birth(Andre Emmerich Gallery, Inc., ?) | Permanent Collection, Laurin Raiken Archive | |
![]() | The History of Surrealism(Collier Books, The Macmillan Company, ?) | Permanent Collection, Laurin Raiken Archive | |
![]() | L'Atlas : Atlas 2002-2012(, ?) | Render Visible | |
![]() | Your Art Will Save Your Life (New York: The Feminist Press at CUNY, 2018) | Beth Pickens (Author) | Activism, Art criticism, Art education / Permanent Collection |
![]() | Excursion (Columbia, SC: Oversound, 2020) | Silvina López Medin (Author) | Chapbook, American poetry -- 21st century, Argentinian Literature / Permanent Collection |