| Title | Author | Tags / Collections | |
|---|---|---|---|
 | Art and Confrontation: The Arts in an Age of Change(New York Graphic Society, ?) | Permanent Collection, Laurin Raiken Archive | |
| Chinese Art I: From The Beginning to the T'ang Dynasty(Tudor Publishing Company, ?) | Permanent Collection, Laurin Raiken Archive | |
| Modern Painting: Contemporary Trends(Skira Publisher, ?) | Permanent Collection, Laurin Raiken Archive | |
| Ten Schools of Painting in the National Gallery of Art(National Gallery of Art, ?) | Permanent Collection, Laurin Raiken Archive | |
Hambone, No. 4, Fall 1984 (Santa Cruz, CA: Hambone, 1984) | Nathaniel Mackey (Editor) | Journal, Periodical / Erizo Residency | |
 | Palante: Voices and Photographs of the Young Lords, 1969-1971 (Chicago, IL: Haymarket Books, 2011) | Michael Abramson (Artist), Iris Morales (Introduction), Young Lords Party (Author) | 1970s, 1960s, Puerto Rico, Photography, Activism, Social documentary photography, Leftwing Politics / Residency Collection |
 | Readings in Physical Distribution Management: The Logistics of Marketing (New York: Macmillan, 1969) | Donald J Bowersox (Author), Bernard J La Londe (Author), Edward W Smykay (Author) | Capitalism / Domain Residency |
 | Capital Culture: J. Carter Brown. the National Gallery of Art, and the Reinvention of the Museum Experience (Chicago: University of Chicago Press, 2013) | Neil Harris (Author) | American history, Museum studies / Permanent Collection, Orit Gat Collection |
 | Asian America.Net : Ethnicity, Nationalism, and Cyberspace (New York, NY and London, England: Routledge, 2003) | Rachel C. Lee (Editor), Sau-ling Cyntha Wong (Editor) | Technology, Race, Criticism and interpretation, Asian Diaspora / Permanent Collection, Mindy Seu Cyberfeminism Reference Collection |
 | a day pulls down the sky / a filament in gold leaf (Brooklyn, NY: Belladona* Collaborative, 2019) | Okwui Okpokwasili (Author), Asiya Wadud (Author) | Poetry, Music, Artist poet collaboration / Permanent Collection, inseparable assembly Reading Room |
 | David Medalla: Works In The World (London: Cv Publications, 2012, 2012) | David Medalla (Author), N. P. James (Interviewer) | Poetry, Essay, Sculpture, Interview, Review / BAM Reading Room (2017) |
 | Mandorla: New Writings From the Americas Volume 12, 2009((2009), 2009) | Erizo Residency | |
 | Supple Science: A Robert Kocik Primer (Oakland, CA: On Contemporary Practice, 2013) | Robert Kocik (Afterword), Michael Cross (Editor), Thom Donovan (Editor) | Critical theory / Permanent Collection, Residency Collection, KAF Residency |
| Chinese Art II: Five Dynasties and Northern Sung(Tudor Publishing Company, ?) | Permanent Collection, Laurin Raiken Archive | |
| A Reading of Modern Art(Harper & Row, Publishers, ?) | Permanent Collection, Laurin Raiken Archive | |
| July-August 1968(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
Writing Voice Into the Archive, Vol. 1 (Berkeley, CA: Self-published, 2019) | Jennifer Tamayo (Editor), Sade LaNay (Contributor), Joey De Jesus (Contributor) | Chapbook, Archives, Zines / Permanent Collection | |
 | All the Women are White, All the Blacks are Men, But Some of Us are Brave: Black Women's Studies (New York: The Feminist Press, 2015) | Akasha (Gloria T.) Hull (Editor), Patricia Bell-Scott (Editor), Barbara Smith (Editor), Brittney C. Cooper (Afterword) | Theory, Social history, Black Studies, Social justice, Critical theory, Black Feminism, Feminism and Feminist theory, Feminist collectives / Take Shape |
 | Last Night (New York: White Columns, 2013) | Martin Beck (Author) | Artist’s book, Music / Domain Residency |
 | Forgetting the Art World (Cambridge, MA: M.I.T Press, 2017) | Pamela Lee (Author) | Globalization, Contemporary art, Art criticism / Permanent Collection, Orit Gat Collection |
 | Domain Errors! Cyberfeminist Practices (Brooklyn, NY: Autonomedia and subRosa, 2002) | Maria Fernandez (Editor), Faith Wilding (Editor), Michelle M. Wright (Editor), Irina Aristarkhova (Author), Emily de Araujo (Author), Radhika Gajjala (Author), Pattie Belle Hastings (Author), Christina Hung (Author), Amelia Jones (Author), Terri Kapsalis (Author), Tania Kupczak (Author), Annapurna Mamidipudi (Author), Lisa Nakamura (Author), Susanna Paasonen (Author), Claire Pentecost (Author), Lucia Sommer (Author), Nell Tenhaaf (Author), Faith Wilding (Author), Hyla Willis (Author), (Afterword) | Anthology, Technology, Gender, Media studies, Digital media, Body and Body Politics, Feminism and Feminist theory, Gender studies / Permanent Collection, Mindy Seu Cyberfeminism Reference Collection |
 | Three Moments of a Script That Never Was Written but Might Have Happened / 三个片段，从未被书写却或已发生的脚本 (Beijing, China: Macaline Center of Art, 2023) | Hu Wei (Artist) | Artist’s book, Performance, Video art / Permanent Collection, inseparable assembly Reading Room |
 | 6 Years: The Dematerialization of the Art Object From 1966-1972 (Praeger Publishers, ?) | (Afterword) | Permanent Collection, Laurin Raiken Archive |
| Chinese Art III: Southern Sung and Yuan(Tudor Publishing Company, ?) | Permanent Collection, Laurin Raiken Archive | |
| Other Criteria: Confrontations with Twentieth-Century Art(Oxford University Press, ?) | Permanent Collection, Laurin Raiken Archive | |
| Van Gogh As Critic and Self-Critic(The Metropolitan Museum of Art, ?) | Permanent Collection, Laurin Raiken Archive | |
El Corno Emplumado No. 1 (Mexico D. F.: Anaxagoras, 1962) | Sergio Mondragon (Editor), Margaret Randall (Editor), Harvey Wolin (Editor) | Erizo Residency | |
 | Home Girls: A Black Feminist Anthology (New Brunswick, NJ: Rutgers University Press, 2000) | Barbara Smith (Editor) | Social history, Black Studies, Critical theory, Black Feminism, Feminism and Feminist theory / Residency Collection, Workshops |
 | Orality and Literacy: The Technologizing of the Word (London: Routledge, 1982) | Walter J. Ong (Author) | Technology, Literary studies / Permanent Collection, Domain Residency |
 | Wrestle: The Marieluie Hessel Collection (Annandale-on-Hudson, N.Y. : Center for Curatorial Studies, Bard College, Hessel Museum of Art, 2006) | Tom Eccles (Contributor), Trevor Smith (Contributor), Ivo Mesquita (Contributor) | Exhibition catalog, Contemporary art, Disidentification / Permanent Collection, Orit Gat Collection |