| Title | Author | Tags / Collections | |
|---|---|---|---|
 | Los Sumergidos (Monterrey, Nuevo Leon, México: Alejandro Cartagena and Carlos Loret de Mola, 2018) | Alejandro Cartagena (Author), Juan Madrid (Author), Carlos Loret de Mola (Author), Freddy Martinez (Author), Fernando Gallegos (Author) | New York, Mexico, Photography, Collections, Collective, Social documentary photography, Mexican art -- 21st century, Small Press / Permanent Collection |
 | Minor Characters: A Beat Memoir (New York: Penguin Books, 1999 [1983]) | Joyce Johnson (Author), Ann Douglas (Introduction) | Memoir, Beat Generation / Permanent Collection, Orit Gat Collection |
 | Hilma af Klimt: Paintings for the Future (New York, NY: The Guggenheim Museum, 2018) | Hilma af Klimt (Artist), Tracey Bashkoff (Editor), Tessel Bauduin (Contributor), Daniel Birnbaum (Contributor), Briony Fer (Contributor), Vivien Greene (Contributor), Ylva Hillström (Contributor), David Max Horowitz (Contributor), Andrea Kollnitz (Contributor), Helen Molesworth (Contributor), Julia Voss (Contributor) | Exhibition catalog, Mysticism, Painting, Monograph, Abstraction / Permanent Collection |
 | Recipes for an Ecounter (Vancouver: Western Front, 2009) | Marisa Jahn (Editor), Candice Hopkins (Editor), Berin Golonu (Editor) | Canada, Exhibition catalog, Food, Review, Relational Aesthetics / Permanent Collection |
 | The Artificial Kingdom : On the Kitsch Experience (Minneapolis, MN : University of Minnesota Press, 2002., 2002) | Celeste Olalquiaga (Author) | Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | The Forms of Things Unknown: An Essay on the Impact of the Technological Revolution on the Creative Arts(Horizon Press and the World Publishing Company, ?) | Permanent Collection, Laurin Raiken Archive | |
| June, 1971(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Courtroom Artist Residency Report (Chicago: Public Collectors, 2019) | Marc Fischer (Interviewer), Edward Marszewski (Contributor), Tara Betts (Contributor), Josh Rios (Contributor), Claire Pentecost (Contributor) | Social history, Interview, Social justice, MoMA Reading Room, MoMA Reading Room 1 / Permanent Collection, MoMA Reading Room |
 | Melquiades Herrera (Mexico, D. F.: Alias Editorial, 2014) | Damián Ortega (Editor), Melquiades Herrera (Artist), Abraham Cruzvillegas (Contributor) | Photography, Spanish language, Criticism and interpretation, Installation art, Performance studies, Figurative art and Portraiture, Mexican art -- 20th century / Permanent Collection |
 | Life in Code: A Personal History of Technology (New York: MCD Farrar, Straus and Giroux, 2017) | Ellen Ullman (Author) | Technology, Memoir / Permanent Collection, Orit Gat Collection |
 | Magical Negro (Portland, OR: Tin House Books, 2019) | Morgan Parker (Author) | Blackness, Contemporary, American poetry -- 21st century / Permanent Collection |
 | The light through shards (New York and Palestine: Bilna'es, 2024) | Alia Al-Sabi (Author), Amany Khalifa (Author) | Criticism and interpretation, Temporality, Palestine / Permanent Collection, inseparable assembly Reading Room |
| Icon and Idea: The Function of Art in the Development of Human Consciousness(Schocken Books, ?) | Permanent Collection, Laurin Raiken Archive | |
| Long Day's Journey Into Night(Yale University Press, ?) | Permanent Collection, Laurin Raiken Archive | |
| Art Forms and Civic Life in the Late Roman Empire(Princeton University Press, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Perverse Library (York, England: Information as Material, 2010) | Craig Douglas (Author), Étienne-Louis Boullée (Cover artist) | Library, Archives, Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | 14 DAYS OF STRIKE (Chicago, IL: Public Collectors, 2020) | Marc Fischer (Interviewer), Katy Jung (Interviewer), Alma Tapia (Contributor), Maria Tapia (Contributor), Jesse Salgado (Contributor), Iridian Martinez (Contributor), Leslie Carreno (Contributor), Jadalis Nuñez (Contributor), Blanca Velazco (Contributor), Isabel Flores (Contributor) | Education, Interview, Social justice, Self-publishing, MoMA Reading Room, MoMA Reading Room 1, Chicago, IL / Permanent Collection, MoMA Reading Room |
 | Postmodernism, or The Cultural Logic of Late Capitalism (Durham, NC; Duke University Press, 1990) | Fredric Jameson (Author) | Postmodernism, Capitalism |
 | La Invariante Temporal (Bueno Aires, Argentina: Arta, 2019) | Marcelo Grosman (Author), Valeria Balut (Contributor), Maria Virginia Castro (Contributor), Santiago Garcia Navarro (Contributor), Ariel Schettini (Contributor), Amanda de la Garza Mata (Contributor) | Mexico, Collective, Contemporary art, Essay collection, Mexican art -- 21st century / Permanent Collection |
 | Art Criticism Online: A History (London, UK: Gylphi, 2019) | Charlotte Frost (Author) | Technology, Art criticism, Digital media / Permanent Collection, Orit Gat Collection |
 | Arab and Arab American Feminisms: Gender, Violence, and Belonging (Syracuse, NY: Syracuse University Press, 2011) | Rabab Abdulhadi (Editor), Evelyn Alsultany (Editor), Nadine Naber (Editor) | Gender, Anti-colonialism, Middle Eastern studies, Feminism and Feminist theory, Gender studies / Permanent Collection |
 | Against the Structural Weight of Catastrophe: A Poetics of Negation (New York and Palestine: Bilna'es, 2024) | Laura Al-Tibi (Author), Amr Amer (Author) | Revolution, Anti-colonialism, Palestine, Organizing / Permanent Collection, inseparable assembly Reading Room |
 | Civics: A Dossier (Buffalo, NY: CEPA Press, 2016) | Joseph Bochynski (Author) | Memoir, Non-fiction, Essay, Artist writing / Permanent Collection |
| Art and the Creative Unconscious: Four Essays(Princeton University Press, ?) | Permanent Collection, Laurin Raiken Archive | |
| September, 1971(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The possible(Berkeley, CA : University of California, Berkeley Art Museum & Pacific Film Archive, [2014], 2014) | Bard2017 / Bard Reading Room (2017), Permanent Collection | |
 | The Bias of Communication (Toronto, CA; University of Toronto Press, 1999) | Harold A. Innis (Author) | Language and Linguistics, History, Political science, Communication studies |
 | Bajo la Sombra de la Pirámide (Paris, France: Toluca Editions`, 2019) | Pablo López Luz (Artist), Daniel Garza Usabiaga (Foreword) | Photography, Architecture, Spanish language, Monograph, Mexican art -- 21st century / Permanent Collection |
 | Exhibition (Cambridge, MA: M.I.T Press, 2014) | Lucy Steeds (Editor) | Contemporary art, Art criticism, Museum studies, Exhibition studies / Permanent Collection, Orit Gat Collection |
 | Premonition (Berkley, CA: Kelsey Street Press, 2014) | Etel Adnan (Author) | Experimental poetry / Permanent Collection |