| Title | Author | Tags / Collections | |
|---|---|---|---|
 | An Echo in Search of its Shadow: Aesthetics of the Repressed (New York and Palestine: Bilna'es, 2024) | Adam HajYahia (Author), Haitham Haddad (Author) | Aesthetics, Revolution, Anti-colonialism, Palestine / Permanent Collection, inseparable assembly Reading Room |
 | Cheshirization (North Amherst, MA: Factory Hollow Press, 2016) | John Emil Vincent (Afterword) | Poetry, Prose, American poetry -- 21st century / Permanent Collection |
 | On longing : Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (Durham : Duke University Press, 1993., 1993) | Susan Stewart (Afterword) | Semiotics, Psychoanalysis, Bard2017 / Bard Reading Room (2017), Permanent Collection |
| Art and Alienation: The Role of the Artist in Society(The Viking Press, ?) | Permanent Collection, Laurin Raiken Archive | |
| Man And The Arts: A Marxist Approach(The American Institute for Marxist Studies, ?) | Permanent Collection, Laurin Raiken Archive | |
| The Dream and the Deal: The Federal Writers' Project 1935-1943(Avon Books, a division of the Herst Corporation, ?) | Permanent Collection, Laurin Raiken Archive | |
| October, 1971(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Learning with Palestine | Léopold Lambert (Editor), Mahdi Sabbagh (Contributor), Nick Estes (Contributor), Maath Musleh (Contributor), Jehan Bseiso (Contributor), Karim Kattan (Contributor), Samia Henni (Contributor), Mostafa Minawi (Contributor), Victoria Adukwei Bulley (Contributor), Sabrien Amrov (Contributor), Madiha Tahir (Contributor), Majd Al-Shihabi (Contributor) | Photography, Geopolitics, Periodical, Critical theory, Social documentary photography, Politically engaged, Palestine / Permanent Collection, MoMA Reading Room, inseparable assembly Reading Room |
 | The Concept of Anxiety: A SImple Psychologically Orienting Deliberation on the Dogmatic Issue of Hereditary Sin (Princeton, NJ; Princeton Press, 1980) | Soren Kierkegaard (Author), Reidar Thomte (Editor) | Psychology, Psychoanalysis |
 | Piedra Volcánica (Barcelona, Spain: Editorial RM, 2019) | Pablo Lopez Luz (Author), Alejandro Hernández Gálvez (Contributor), Cristobal Jácome-Moreno (Contributor) | Mexico, Photography, Architecture, Social documentary photography, Mexican art -- 21st century / Permanent Collection |
 | Rotterdam Dialogues: The Critics, The Curators, The Artists (Rotterdam, Netherlands: Witte De With, 2010) | Zoe Gray (Editor), Miriam Kathrein (Editor), Nicolaus Schaufhausen (Editor), Monika Szewczyk (Editor), Ariadne Urlus (Editor) | Interview, Contemporary art, Curatorial practice / Permanent Collection, Orit Gat Collection |
 | Y'ol (New York, NY: Spuyten Duyvil Publishing, 2011) | Birhan Keskin (Author), Murat Nemet-Nejat (Translator) | Poetry, Translation / Permanent Collection |
 | Being in the Negative (New York and Palestine: Bilna'es, 2024) | Basel Abbas (Author), Ruanne Abou-Rahme (Author) | Poetics, Anti-colonialism, Palestine / Permanent Collection, inseparable assembly Reading Room |
 | Bury My Heart at Wounded Knee : an Indian History of the American West (New York : H. Holt & Co., 2007., 2007 [1970]) | Dee Alexander Brown (Author) | Indigenous, History, Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Free City (Champaign, IL: Dalkey Archive Press, 2013 [c2010]) | João Almino (Author), Rhett McNeil (Translator) | Brazil, Brazilian literature, Portuguese, Fiction, Translation / Permanent Collection |
 | Chubz: The Demonization of My Working Arse (London, UK: Montez Press, 2014) | Spitzenprodukte (Author) | Fiction, Politics, Politically engaged, Leftwing Politics / Permanent Collection |
| Art and Society(Schocken Books, ?) | Permanent Collection, Laurin Raiken Archive | |
| The Arts and Philanthropy(Ford Foundation Paper, ?) | Permanent Collection, Laurin Raiken Archive | |
| A Concise History of Posters: 1870-1970(Harry N. Abrams, Inc., ?) | Permanent Collection, Laurin Raiken Archive | |
| Styles of Radical Will(Dell Publishing Company, ?) | Permanent Collection, Laurin Raiken Archive | |
| November, 1971(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Patterns (New York, NY: Primary Information, 2018) | Sarah Crowner (Author) | Artist’s book, Monograph, Contemporary art, Bard2018, MoMA Reading Room / Permanent Collection, Bard Reading Room 2018, MoMA Reading Room |
 | Dulce y Salada (Bogota, Colombia: Editorial Unimagdalena, 2018) | Jorge Panchoaga (Afterword), Juan Cárdenas (Afterword) | Photography, Colombia, Spanish language, Bilingual, Latin American studies, Social documentary photography / Permanent Collection |
 | How to Write About Contemporary Art (London, UK and New York: Thames & Hudson, 2019) | Gilda Williams (Author) | Non-fiction, Pedagogy, Contemporary art / Permanent Collection, Orit Gat Collection |
 | Tell Me How it Ends: An Essay in Forty Questions (Minneapolis, MN: Coffee House Press, 2017) | Valerie Luiselli (Author) | Essays, Immigration, Social sciences / Permanent Collection |
 | Free Jazz Communism (Helsinki, Finland: RAB-RAB Press, 2024 [2019]) | Sezgin Boynik (Editor), Taneli Viitahuhta (Editor) | 1960s, Music, Jazz, Performance / Permanent Collection, inseparable assembly Reading Room |
 | Iqbal (New York: Simon & Schuster, 2005) | Francesco D'Adamo (Author), Ann Leonori (Translator) | Fiction, Translation, Young adult, Review / Permanent Collection |
| To Hell With Culture, and Other Essays on Art and Society(Schocken Books, ?) | Permanent Collection, Laurin Raiken Archive | |
| Christian and Oriental Philosophy of Art(Dover Publications, Inc., ?) | Permanent Collection, Laurin Raiken Archive | |
| Egg Tempera Painting, Tempera Underpainting, Oil Emulsion Painting: A Manual of Technique(Oxford University Press, ?) | Laurin Raiken Archive | |