| Title | Author | Tags / Collections | |
|---|---|---|---|
 | Denizens of Hell (New York: Inpatient Press, 2024) | Sky Hopinka (Author) | Chapbook, Artist’s book, Photography, Film and Film Studies / Permanent Collection |
 | Florence: History, Art, Monuments(Ramella, Firenze, ?) | Permanent Collection, Laurin Raiken Archive | |
| Florentine Sculpture(Studio Vista | Dutton Paperback, ?) | Permanent Collection, Laurin Raiken Archive | |
| The Surrealist Revolution in France(University of Michigan Press, ?) | Permanent Collection, Laurin Raiken Archive | |
 | First Fronteras (Beltsville, MD: Homie House Press, 2018) | Adriana Monsalve (Curator) | Artist’s book, Photography, Immigration, Community, Social documentary photography, Borders and Border Studies, MoMA Reading Room / Permanent Collection, MoMA Reading Room |
 | The Present Is The Form Of All Life: The Time Capsules Of Ant Farm And LST (Brooklyn, NY: Pioneer Works Press, 2016) | Liz Flyntz (Editor), David Everitt Howe (Editor), Ant Farm (Author) | 1970s, 1960s, Design, Architecture, Industrial design, Collective, Contemporary art, American art -- 20th century / Permanent Collection |
 | Delirious New York (New York: The Monacelli Press, 1994) | Rem Koolhaas (Author) | New York, Design, Architecture, Urban design / Permanent Collection, Orit Gat Collection |
 | The Intersectional Internet: Race, Sex, Class, and Culture Online (New York: Peter Lang, 2016) | Safiya Umoja Noble (Editor), Brendesha M.Tynes (Editor) | Technology, Race, Gender, Cultural studies / Permanent Collection, Mindy Seu Cyberfeminism Reference Collection |
 | On the Blackness of Blacknuss: My Black Death (Hudson, NY: Publication Studio Hudson, 2015) | Arthur Jaffa (Author) | Black Studies, Zines, Film and Film Studies / Permanent Collection, inseparable assembly Reading Room |
 | Rip It Up and Start Again: Post-Punk 1978-1984 (New York: Penguin Books., 2006) | Simon Reynolds (Author) | Music history, Punk / Permanent Collection, Bard Reading Room 2018 |
| The Social History of Art V. II(Vintage Books, Random House, ?) | Permanent Collection, Laurin Raiken Archive | |
| The Bride and the Bachelors: Five Masters of the Avant-Garde, Duchamp, Tinguely, Cage, Rauschenberg, Cunningham(The Viking Press, ?) | Permanent Collection, Laurin Raiken Archive | |
| Dec-39(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Introduction to Kentifrican Culture (Los Angeles, CA: Occidental College, 2018) | Kenyatta A. C. Hinkle (Author), Sming Sming (Designer) | Immigration, Geopolitics, Cultural studies, Cultural memory, Borders and Border Studies, MoMA Reading Room / Permanent Collection, MoMA Reading Room |
 | The Bridge Over the Neroch and Other Works (New York, NY: New Directions Publishing Corporation, 2013) | Leonid Tsypkin (Author), Jamey Gambrell (Translator) | Fiction, Collections, Russian literature / Permanent Collection |
 | Social Practices (Cambridge, MA: Semiotext(e), 2018) | Chris Kraus (Author) | Contemporary art, Art criticism, Participatory and Public art / Permanent Collection, Orit Gat Collection |
 | Cyberfeminism 2.0 (New York: Peter Lang, 2012) | Radhika Gajjala (Editor), Yeon Ju Oh (Editor) | Technology, Gender, Feminism and Feminist theory / Permanent Collection, Mindy Seu Cyberfeminism Reference Collection |
 | New and Selected Poems of Cecilia Vicuña (Berkeley, CA: Kelsey Street Press, 2018) | Cecilia Vicuña (Author) | Bilingual, Mexican poetry - 21st century / Erizo Residency |
| The Social History of Art V. IV(Vintage Books, Random House, ?) | Permanent Collection, Laurin Raiken Archive | |
| Utrillo(Harry N. Abrams, ?) | Permanent Collection, Laurin Raiken Archive | |
| Degas: The life and work of the artist, illustrated with 80 full-color plates(Grosset & Dunlap, ?) | Permanent Collection, Laurin Raiken Archive | |
| year 1960(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Publishing 'Zines for Prisoners: An Interview with Anthony Rayson (Chicago, IL: Temporary Services, 2015) | Anthony Rayson (Author), Temporary Services (Interviewer) | Anarchism, Interview, Collective, Zines, Self-publishing, Prison studies / Permanent Collection, MoMA Reading Room |
 | Fortress Europe: Dispatches from a Gated Continent (New York, NY: New Press, 2016) | Matthew Carr (Author) | Government and politics, Europe, Immigration, Borders and Border Studies / Permanent Collection |
 | Realism Materialism Art (Berlin, Germany: Sternberg Press, 2015) | Christoph Cox (Editor), Jenny Jaskey (Editor), Suhail Malik (Editor) | Anthology, Contemporary art, Art criticism / Permanent Collection, Orit Gat Collection |
 | I'm Very into You: Correspondence 1995–1996 (Cambridge, MA: M.I.T Press, 2015) | Kathy Acker (Author), McKenzie Wark (Author) | Epistolary, Queer theory / Permanent Collection |
 | How to Maneuver: Shapeshifting Texts and Other Publishing Tactics (Cairo, Egypt and Berlin, Germany: Kay fa ta, 2021) | Maha Maamoun (Editor), Ala Younis (Editor) | Publishing, Self-publishing, Organizing / Permanent Collection, inseparable assembly Reading Room |
| Picasso: La Collezione Nascosta(Umberto Allemandi & C., ?) | Permanent Collection, Laurin Raiken Archive | |
 | Questioning through Writing (Toronto, Ontario, Canada: Gallery 44, 2017) | Adriana Monti (Contributor), Annie McDonald (Introduction), Chris Curreri (Artist), Yaniya Lee (Artist) | Chapbook, Canada, Critical theory, Collective, Feminist art history, Feminism and Feminist theory, Feminist collectives, MoMA Reading Room / Permanent Collection, MoMA Reading Room |
 | Sexiness: Rituals, Revisions and Reconstructions (New York, NY: Discipline Press, 2018) | Tamara Santibañez (Editor) | Photography, Collections, Sexuality, Interview, Queer theory, Sexual politics / Permanent Collection |