| Title | Author | Tags / Collections | |
|---|---|---|---|
 | On Photography(Dell Publishing Company, ?) | Permanent Collection, Laurin Raiken Archive | |
| December, 1971(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Tao Te Ching (New York, NY; Penguin Classics, 1963) | Lao Tzo (Author) | Philosophy, Taoism |
 | Space In Between (Mexico D. F.: Tremblores Publicaciones, Motto Books, ) | Margarita Cabrera (Artist) | Mexican American literature, American art, Borders and Border Studies, Politically engaged, Textile and fiber arts, Mexican art -- 21st century / Permanent Collection |
 | Futurist Manifestos (Boston, MA: Museum of Fine Arts Publications, 2001 [1970]) | Umbro Appollonio (Editor), Richard Humphreys (Foreword) | Europe, Manifestos, Avant-garde / Permanent Collection, Orit Gat Collection |
 | Slavery and Social Death (Cambridge, MA: Harvard University Press, 2018) | Orlando Patterson (Author) | Theory, Slavery, Colonialism, Anti-Black racism, Social sciences / Permanent Collection |
 | Black Ecologies (MARCH: a journal of art and strategy, 2019) | Imani Jacqueline Brown (Editor) | Blackness, Ecology and Environmentalism / Permanent Collection, inseparable assembly Reading Room |
| The Green Child: A Romance(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
| Against Interpretation(Dell Publishing Company, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Iran: Unedited History 1960-2014 (Rome, Italy: Cura Books, 2014) | Flavia De Sanctis Mangelli (Author) | Iran, Social history, History, Photography, Art history, Collections, Middle Eastern studies, MoMA Reading Room, MoMA Reading Room 1 / Permanent Collection, MoMA Reading Room |
 | Liberalism: A Counter-History (Brooklyn, NY; Verso Books, 2014) | Domenico Losurdo (Author) | Politics, Leftwing Politics |
 | Printed Photography in Venezuela/ Fotografía Impresa en Venezuela (Caracas, Venezuela: La Cueva Casa Editorial, 2019) | Ricardo Báez (Editor), Sagrario Berti (Editor), La Cueva Casa Editorial (Editor) | Photography, Spanish language, Bilingual, Art books, Latin American studies, Social documentary photography / Permanent Collection |
 | Abstraction (Cambridge, MA: M.I.T Press, 2013) | Maria Lind (Editor) | Abstraction, Contemporary art / Permanent Collection, Orit Gat Collection |
 | A Shock to Thought: Expression after Deleuze and Guttari (London, U.K.: Routledge, 2002) | Brian Massumi (Editor) | Postmodernism, Theory, Aesthetics, Critical theory / Permanent Collection |
 | Listening to Images (Durham, NC: Duke University Press, 2017) | Tina Campt (Author) | Photography, Art history, Black Studies / Permanent Collection, inseparable assembly Reading Room |
 | Dye Trying: Field Notes From a Textile Residency in the Philippines (Manila, Philippines: Hardworking Goodlooking, 2015) | Lobregat Balaguer (Editor), Lyza Baum (Contributor), Emilie Jehng (Contributor) | Philippines, Art, Dye, Ecology and Environmentalism, Textile and fiber arts, Bard2018, MoMA Reading Room / Permanent Collection, Bard Reading Room 2018, MoMA Reading Room |
| What Is Surrealism?(Faber & Faber, ?) | Permanent Collection, Laurin Raiken Archive | |
| Goya in the Democratic Tradition(Schocken Books, ?) | Permanent Collection, Laurin Raiken Archive | |
| January, 1972(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Con Alma: | Nathaniel Mackey (Author), Devin King (Introduction) | Journal, Periodical, American poetry -- 21st century, Politically engaged, MoMA Reading Room / Permanent Collection, MoMA Reading Room |
 | Doing the Best I Can (New York, NY: Façadomy, 2019) | Diamond Stingily (Author) | Chapbook, Artist’s book, Self-publishing / Permanent Collection, MoMA Reading Room |
 | Carpoolers (Mexico, D. F.: Alejandro Cartagena, 2019) | Alejandro Cartagena (Artist) | Artist’s book, Mexico, Photography, Self-publishing, Social documentary photography, Politically engaged, Mexican art -- 21st century / Permanent Collection |
 | Participation (Cambridge, MA: M.I.T Press, 2010) | Claire Bishop (Editor) | Contemporary art, Participatory and Public art / Permanent Collection, Orit Gat Collection |
 | South Asia Technoscapes (New York: Peter Lang, 2008) | Radhika Gajjala (Editor), Venkataramana Gajjala (Afterword) | Technology, South Asia, Globalization / Mindy Seu Cyberfeminism Reference Collection |
 | Dances of Time and Tenderness (Brooklyn, NY: Nightboat Books, 2024) | Julian Carter (Author) | AIDS, Poetry, Queer theory, San Francisco / Permanent Collection, inseparable assembly Reading Room |
| Education Through Art(Pantheon Books, Random House, ?) | Permanent Collection, Laurin Raiken Archive | |
| Art, Labour & Socialism(The World Socialist Party, One Shilling, ?) | Permanent Collection, Laurin Raiken Archive | |
| September/October 2000(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
 | L’esprit d’escalier or InshAllah (but in either case, you don’t know what to say) | Rashayla Marie Brown (Afterword) | Essay, Periodical, Academia, Zines, Essay collection, MoMA Reading Room, MoMA Reading Room 1 / Permanent Collection, MoMA Reading Room |
 | Summa Technologiae (Minneapolis, MN; University of Minnesota Press, 2014) | Stanislaw Lem (Author), Joanna Zylinska (Translator) | Science fiction, Technology |