 | Lapdogs of the Bourgeoisie: Class Hegemony in Contemporary Art(Berlin, DE: Sternberg Press, 2009) | Nav Haq (Editor), Chris Evans (Contributor), Neil Cummings (Contributor), Tirdad Zolghadr (Editor), Annika Eriksson (Contributor), Dirk Fleischmann (Contributor) | Exhibition catalog, Essay, Art criticism, Institutional critique, Exhibition studies / Permanent Collection |
 | Living as Form: Socially Engaged Art from 1991-2011(New York, N.Y. : Cambridge, Mass. ; London : Creative Time ; MIT Press, 2012., 2012) | Nato Thompson, Brian Holmes (Author), Carol Becker (Author), Claire Bishop (Author), Teddy Cruz (Author), Ann Pasternak (Author) | Exhibition catalog, Activism, Contemporary art, Participatory and Public art / Permanent Collection |
 | Seeing Power: Art and Activism in the 21st Century(Brooklyn, NY: Melville House, 2015) | Nato Thompson | 21st century, Art history, Activism, Contemporary art, Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Splay Anthem(New York City: New Directions Publishing, 2006) | Nathaniel Mackey (Author), Johnny Otis (Cover artist) | African American poetry, Poetry, History, American poetry -- 21st century / Permanent Collection |
 | Nod House(New York: New Directions, 2011) | Nathaniel Mackey (Author) | African American poetry, Poetry, Review, American poetry -- 21st century / Permanent Collection |
 | Lost Horizon(Brooklyn, NY: Ugly Duckling Presse, 2019) | Nathaniel Farrell (Author) | Landscape, Poetry, American poetry -- 21st century / Permanent Collection |
 | Newcomer(Brooklyn, NY: Ugly Duckling Presse, 2014) | Nathaniel Farrell | Permanent Collection |
| Thresholds 43: Scandalous(SA P Press (2015), Edition: 1st, 389 pages, 2015) | Nathan Friedman (Editor), Ann Lok Lui (Editor) | Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Rude Woods(Brooklyn: The Song Cave, 2013) | Nate Klug, Virgil (Author), W. R. Johnson | Poetry, Translation, American poetry -- 21st century / Permanent Collection |
 | If I Can't Dance To It, It's Not My Revolution(Haverford, PA: Cantor Fitzgerald Gallery, 2014) | Natalie Musteata (Editor), Allan Antliff (Contributor), Ernest Larsen (Contributor), Josh MacPhee (Contributor), Adrian Blackwell (Contributor), Nadja Millner-Larsen (Contributor) | Exhibition catalog, Revolution, Activism, Contemporary art, Politically engaged / Permanent Collection |
| Blood Makes Me Faint But I Go For IT(Brooklyn, NY: Ugly Duckling Presse, 2014) | Natalie Lyalin | Permanent Collection |
 | Wild Mind: Living the Writer's Life(New York: Bantam Books, 1990) | Natalie Goldberg (Author) | Biography / Permanent Collection, Laurin Raiken Archive |
 | To Icon: Poems(Berlin, Germany: Captain Petzel, 2017) | Natalie Czech | Technology, Poetry, Bard2018 / Permanent Collection, Bard Reading Room 2018 |
| The Nocturnal Factory(Brooklyn, NY: Ugly Duckling Presse, 2008) | Nancy Kuhl | Permanent Collection |
| Little Winter Theater(Brooklyn, NY: Ugly Duckling Presse, 2011) | Nancy Kuhl | Permanent Collection |
 | Here and There Volume 11: Ima Koko(Here and There Volume 11: Ima Koko, 2012) | Nakako Hayashi (Foreword), Takashi Homma (Contributor), Elein Fleiss (Contributor), Cianciolo (Contributor), Takehito Koganezawa (Contributor), Ryoko Aoki (Contributor), Kei Takemura (Contributor), Erika Kobayashi (Contributor), Aoi Nagae (Contributor), Pascale Gatzen (Contributor), Yukinori Maeda (Contributor), Suiren Higashino (Contributor), Gerda & Jorg Lenzlinger Steiner (Contributor) | Artist’s book, Japanese art, History, Art, Japan and Japanese language, Bard2018 / Permanent Collection, Bard Reading Room 2018 |
 | Here and There Volume 10: The Blue Issue(Japan: Nieves, 2010) | Nakako Hayashi, Mark Borthwick (Contributor), Takashi Homma (Contributor), Elein Fleiss (Contributor), Takehito Koganezawa (Contributor), Shimabuku (Contributor), Akira Minagawa (Contributor), Susan Cianciolo (Contributor), Aoi Nagae (Contributor), Yukinori Maeda (Contributor), Akira Onozuka (Contributor), Lactitia Benat (Contributor), Aki Coto (Contributor), Nobuya Hitsuda (Contributor), BLESS (Contributor) | Artist’s book, Art, Bard2018 / Permanent Collection, Bard Reading Room 2018 |
 | Here and There Volume 12: Zoku Kakucho(Japan: Here and There, 2015) | Nakako Hayashi (Editor), Bless (Contributor), Takashi Homma (Contributor), Elein Fleiss (Contributor), Yurie Nagashima (Contributor), Ryoko Aoki (Contributor), Susan Cianciolo (Contributor), Pascale Gatzen (Contributor), Yukinori Maeda, Nobuhiro Shimura (Contributor) | Artist’s book, Art, Japan and Japanese language, Bard2018 / Permanent Collection, Bard Reading Room 2018 |
 | The Greatest: My Own Story(Graymalkin Media (2015), 398 pages, 2015) | Muhammad Ali (Author) | Bam2016 / BAM Reading Room, 2016, Permanent Collection |
 | There Are More Beautiful Things Than Beyonce(Tin House Books (2017), Edition: 1, 80 pages, 2017) | Morgan Parker (Author) | Permanent Collection |
| The Equal Professor: A Faculty Anthology(New York: EQUAL Commission, 1996) | Mona Kreaden (Editor), New York University (Author), Dick Koppenaal (Introduction) | New York, Education / Permanent Collection, Laurin Raiken Archive |
 | Teaching for people who prefer not to teach(London: AND, 2017) | Mirjam Bayerdoerfer (Editor), Margherita Huntley (Designer), Rosalie Schweiker (Editor) | Reference, Manual, Pedagogy, Review / Permanent Collection, BAM Reading Room (2017), Collective Question Residency |
 | From Jim Crow to Jay-Z : Race, Rap, and the Performance of Masculinity(Urbana, IL: University of Illinois Press, 2011) | Miles White (Author) | Music, Race, Gender, Critical theory, African American studies / Permanent Collection, BAM Reading Room (2017) |
 | Living Labor(Berlin: Sternberg Press; Høvikodden, Norway: Henie Onstand Kunstsenter, 2013) | Milena Hoegsberg (Editor), Julia Bryan-Wilson (Contributor), Will Bradley (Contributor), Kathi Weeks (Contributor), Annette Kamp (Contributor), Ole Martin Rønning (Contributor), Cora Fisher (Editor), Carl Cedarström (Contributor), Michala Paludan (Contributor), Olivia Plender (Contributor) | Scandinavia, Exhibition catalog, Essay, Labor / Permanent Collection |
| Data Kultura(Brooklyn: Hardworking Goodlooking, 2017) | Miko Revereza | Artist’s book, Photography, Review, Contemporary art, Digital media / Permanent Collection |
 | not knowing(Ugly Duckling Presse (2013), 70 pages, 2013) | Mike Taylor (Author) | Bam2016 / BAM Reading Room, 2016, Permanent Collection |
 | untitled(New York: Hardworking Goodlooking, 2018) | Mike Revereza (Author) | Artist’s book, Poetry, Essay, Photography, Film and Film Studies / Permanent Collection |
 | Vehicles of the Ancients(Brooklyn: Kayrock Screenprinting, 2008) | Mike Pare (Artist) | Artist’s book, Contemporary art, Zines, Textile and fiber arts, Bard2018 / Permanent Collection, Bard Reading Room 2018 |
 | Return of the Repressed: Destroy All Monsters 1973-1977(New York: PictureBox; Los Angeles: PRISM, 2011) | Mike Kelley (Editor), Jim Shaw (Artist), Mike Kelley (Artist), Dan Nadel (Editor), Cary Loren (Artist), Niagara (Artist), Nicole Rudick (Author) | Exhibition catalog, Music, Photography, Collective, Zines, Prints and printmaking |
 | abstract speaking, sharing uncertainty, and collective acts(Milan, IT: Produzioni NERO; Tokyo, JP: The Japan Foundation, 2013) | Mika Kuraya (Editor), Koki Tanaka (Editor) | Exhibition catalog, Sociology, Contemporary art, Bam2016, Japan and Japanese language, Politically engaged / BAM Reading Room, 2016, Permanent Collection |
