| Title | Author | Tags / Collections | |
|---|---|---|---|
 | Tada n°1: Le parti pris des choses(Paris: texts&crafts, 2014) | Mauricio Marcín (Editor), Jean-Charles Massera (Contributor), Marisol Rodríguez (Contributor), Estelle Nabeyrat (Contributor), Lorenzo Rocha (Contributor), Annabela Tournon (Editor), Daphné Bally (Contributor), Esmerelda Barrón (Contributor), Marie Bechetoille (Contributor), Ishtar Cardona (Contributor), Horacio Castro de Bernardi (Contributor), Stéphanie Dadour (Contributor), Destructor de Miitos (Contributor), Nicolas Eyguesier (Contributor), Luis Felipe Fabre (Contributor), Full Dollar (Contributor), Víctor García Torres (Contributor), Víctor González Escaleta (Contributor), Paoloa Santoscoy (Contributor), Mabel Tapia (Contributor) | Spanish language, Interview, French language, Contemporary art, Art criticism, Artist writing / Permanent Collection |
 | Where The Wild Things Are(New York, NY: HarperCollins, 1991) | Maurice Sendak (Author) | Illustration, Children's literature / Permanent Collection, BAM Reading Room (2017), Children's Library |
 | Sense and Non-Sense(Evanston: Northwestern University Press, 1964) | Maurice Merleau-Ponty (Author), John Wild (Editor) | Philosophy, Phenomenology / Permanent Collection, Laurin Raiken Archive |
 | Applies to Oranges(Brooklyn, NY: Ugly Duckling Presse, 2011) | Maureen Thorson | Permanent Collection |
 | Mirror inside coffin(Cincinnati, OH: Cherry Grove Collections, 2015) | Maureen Alsop (Author) | Poetry / Permanent Collection |
 | Victorine (New York Review Books)(New York: NYRB Classics, 2008) | Maude Hutchins (Author) | American literature, Fiction, American fiction -- 20th century / Permanent Collection |
 | Pinocchio Gone Limp(New York: Cicada PRess, 2013) | Matthew Whitley | Poetry, Review, American poetry -- 21st century / Permanent Collection |
| Minders(Rotterdam, NL: Publication Studio, 2015) | Matthew Stadler (Author) | Fiction, American Fiction -- 21st century / Permanent Collection |
 | The Social Life of the Book, No. 7: Composition as Publication and What Are Margins?(Paris: Paraguay Press, 2015) | Matthew Stadler (Author) | Theory, Books about books, Literary studies, Bard2018 / Permanent Collection, Bard Reading Room 2018 |
| A Plate of Chicken(Brooklyn, NY: Ugly Duckling Presse, 2009) | Matthew Rohrer | Permanent Collection |
 | Rise Up(Seattle, WA / New York: Wave Books, 2007) | Matthew Rohrer (Author) | Poetry, American poetry -- 21st century / Permanent Collection |
 | Mediated Monologues(New York: Sputnik & Fizzle, 2016) | Mason Leaver-Yap (Author) | Artist’s book, Essay, Lecture, Artist writing / Permanent Collection |
| Mediated Monologues(New York: Sputnik & Fizzle, 2016) | Mason Leaver-Yap (Author), Will Holder (Preface) | Lecture, Transcript / Permanent Collection |
 | Laconia: 1,200 Tweets on Film(Winchester, UK: Zero Books, 2011) | Masha Tupitsyn (Author) | Essay, Diary, Review, Film and Film Studies / Permanent Collection |
 | Words Will Break Cement: The Passion of Pussy Riot(New York: Riverhead Books, 2014) | Masha Gessen (Author) | Gender, Performance, Feminism and Feminist theory / BAM Reading Room (2017) |
 | A Poem as Big as New York City: Little Kids Write About the Big Apple(New York, NY: Universe Publishing (Rizzoli International Publications), 2012., 2012) | Masha D'yans, Walter Dean Myers (Foreword), Teachers & Writers Collaborative (Editor), Melanie Marie Goodreaux | Picture book, Children's literature / Permanent Collection, Children's Library |
 | The Hidden Messages in Water(New York, NY: Atria Books, 2005) | Masaru Emoto (Author), David A. Thayne (Translator) | Water, 20th century, Science, Photography, Bam2016 / BAM Reading Room, 2016, Permanent Collection |
 | Artistic Citizenship: A Public Voice for the Arts(New York: Routledge, 2006) | Mary Schmidt Campbell (Editor), Randy Martin (Editor) | Participatory and Public art / Permanent Collection, Laurin Raiken Archive |
 | R.B. Archipelago(New York: Cooperative Editions, 2017) | Mary MacDougall | Artist’s book, Illustration, Art, Contemporary art / Permanent Collection |
 | Drunk the Night Before: An Anatomy of Intoxication(Minneapolis, MN: University Of Minnesota Press, 2008) | Marty Roth (Author) | History, Art history, Literary criticism, Cultural studies, Review, Literary studies, Art criticism / Permanent Collection |
 | Faulkner's World: The Photographs of Martin J. Dain(Jackson, MS: The Center for the Study of Southern Culture, University Press of Mississippi, 1997) | Martin J. Dain (Author), Larry Brown (Foreword), Tom Rankin (Editor) | 20th century, Photography, American art, Monograph / Permanent Collection |
 | Tell Them I Said No(Sternberg Press (2017), 120 pages, 2017) | Martin Herbert (Author) | Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Haikú: Todo cabe en un poema si lo sabes acomodar ... sólo es cuestión de imaginación(Mexico City: Ediciones el naranjo (2008), 2008) | Martha Riva Palacio Obón (Author) | Haiku, Picture book, Spanish language, Children's literature / Children's Library, CC Catálogo, #16: Formas (2017) |
 | 3 works (Halifax, N.S.: Press of the Nova Scotia College of Art and Design, 2006) | Martha Rosler (Author) | Poetry, Photography, Monograph, Social documentary photography / Permanent Collection |
 | Textile Spaces(Copenhagen, Denmark: Another Space, 2013) | Marte and Nicola Louise Markhus Danielsen Jølbo (Editor), Aurora Passero (Contributor), Mette Ramsgard Thomsen (Contributor), Maria Kjær Themsen (Contributor), Akane Moriyama (Contributor), CITA (Center for Information Technology and Architecture) (Contributor), Else Leirvik (Contributor), Tove Storch (Contributor) | Art, Architecture, Contemporary art, Textile and fiber arts, Bard2018 / Permanent Collection, Bard Reading Room 2018 |
 | Verbi-Voco-Visual Explorations(New York, NY:Something Else Press, 1967) | Marshall McLuhan (Author), Karl Polanyi (Contributor), Jack Jones (Contributor), Victor J Papanek (Contributor), David Hogg (Contributor), J. B. Bessinger (Contributor), Carol C. Hollis (Contributor) | Technology, Cultural studies, Media studies, Communication studies / Permanent Collection |
 | Crossbenching: Toward Participation as Critical Spatial Practice(Sternberg Press (2016), 112 pages, 2016) | Markus Miessen (Author) | BAM Reading Room (2017) |
 | William Pope.L: The Friendliest Black Artist in America(Cambridge, MA: The MIT Press, 2002) | Mark H. C. Bessire (Editor) | African American art, Art, Contemporary art / Permanent Collection |
 | No. 44, The Mysterious Stranger (Mark Twain Library)(University of California Press (2011), Edition: First, 216 pages, 2011) | Mark Twain (Author) | Permanent Collection |
 | Words of Love(Los Angeles: Les Figues Press, 2012) | Mark Rutkoski, Annette Gilbert (Introduction) | Poetry, American poetry -- 21st century / Permanent Collection |