| Title | Author | Tags / Collections | |
|---|---|---|---|
 | The Rules of Art: Genesis and Structure of the Literary Field(Stanford, CA: Stanford University Press, 1996) | Pierre Bourdieu (Author), Susan Emanuel (Translator) | Philosophy, Literary criticism, Criticism and interpretation, Review, Critical theory / Permanent Collection |
 | The RSVP cycles: Creative Processes in the Human Environment(New York: Braziller, 1970 [c.1969]) | Lawrence Halprin (Author) | Modernism / Permanent Collection, Laurin Raiken Archive |
 | The RSVP Cycles: Creative Processes in the Human Environment(George Braziller Inc., ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Roving Shadow (Champaign, IL: Dalkey Archive Press, 2012) | Pascal Quignard (Author), Chris Turner (Translator) | French literature, Fiction, Writing / Permanent Collection |
| The Romantic Rebellion(New York: Schocken Books, 1964 [c1962]) | Eric Newton | Romanticism, 19th century, Art history / Permanent Collection, Laurin Raiken Archive |
| The Romance of Leonardo da Vinci(Garden City Publishing Company, ?) | Permanent Collection, Laurin Raiken Archive | |
| The Role of Creative Arts in Contemporary Society(Publisher Unknown, ?) | Permanent Collection, Laurin Raiken Archive | |
| The Rise of the Arts on the American Campus(McGraw-Hill, ?) | Permanent Collection, Laurin Raiken Archive | |
| The Rise of the Artist: In the Middle Ages and Early Renaissance(Thames & Hudson, McGraw Hill, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Rings of Saturn (New York, NY: New Directions, 1999) | W. G. Sebald (Author), Michael Hulse (Translator) | Fiction, Bam2016, Germany and German Language / BAM Reading Room, 2016, Permanent Collection |
 | The Right to Maim: Debility, Capacity, Disibility (Durham, NC: Duke University Press, 2017) | Jasbir K. Puar (Author) | Neoliberalism, Palestine, Disability / Permanent Collection |
| The Revolution of Color(Xxe Siecle New Series XXIInd Year No. 15, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Revolution Has Come: Black Power, Gender, and the Black Panther Party in Oakland (Durham, NC; London, UK: Duke University Press, 2016) | Robyn C. Spencer (Author) | Black Studies, Activism, African diaspora, African American studies, Black Liberation, Gender studies / Residency Collection |
 | The Return of the Shreds(Amsterdam: Valiz/ Stedelijk Museum De Lakenhal Leiden, 2008) | Kitty Zijlmans (Editor), Nicole Roepers (Contributor), Marianne Brouwer (Contributor), Ni Haifeng (Editor), Ton Brouwers (Translator) | Exhibition catalog, Art, Globalization, Capitalism, Contemporary art, Textile and fiber arts, Bard2018 / Permanent Collection, Bard Reading Room 2018 |
 | The Return of the Native(Brooklyn, NY: Ugly Duckling Presse, 2011) | Kate Colby (Author) | Permanent Collection |
 | The Reprisal (Chicago, IL: University of Chicago Press, 2013) | Laudomia Bonanni (Author), Susan Stewart (Translator), Sara Teardo (Translator) | Fiction / Permanent Collection |
| The Renderings: Critical Essays on a Century of Modern Art(Simon and Schuster, ?) | Permanent Collection, Laurin Raiken Archive | |
| The Rembrandt Bible: A Selection From the Master's Graphic Work(The Greystone Press, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Reenchantment of Art(New York, N.Y: Thames and Hudson, 1992) | Suzi Gablik (Author) | 21st century / Permanent Collection, Laurin Raiken Archive |
| The Redemption of the Robot: My Encounter With Education Through Art(Simon and Schuster, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Recognitions (London, UK: Dalkey Archive Press, 2015) | William Gaddis (Author) | Fiction / Permanent Collection |
| The Realm of Art(The Pensylvannia State University Press, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Raw and the Cooked: Introduction to a Science of Mythology, vol. 1 (New York: Harper Torchbooks, 1970) | Claude Lévi-Strauss (Author), John Weightman (Translator), Doreen Weightman (Translator) | Anthropology, Sociology, French language / Permanent Collection |
 | The Rain Stomper(New York : Marshall Cavendish Children, c2008., 2008) | Addie K. Boswell, Eric Velasquez (Illustrator) | Picture book, Children's literature / Permanent Collection, Children's Library |
 | The Radicant (Berlin, Germany and New York: Lukas & Sternberg, 2010) | Nicolas Bourriaud (Author) | Postmodernism, Modernism, Art criticism / Permanent Collection, Orit Gat Collection |
 | The Racial Imaginary: Writers on Race in the Life of the Mind(Albany, NY: Fence Books, 2015) | Claudia Rankine (Editor), Beth Loffreda (Editor), Max King Cap (Editor) | Essay, Letters, Race, African American studies, Art criticism, Bard2017 / Bard Reading Room (2017), Permanent Collection |
| The Questions We Ask Together: Open Engagement in Print 001(Pittsburgh, PA: Open Engagement, 2015) | Gemma-Rose Turnbull (Editor), Katie Hargrave (Contributor), Jen Delos Reyes (Contributor), Randall Szott (Contributor), Ariana Jacob (Contributor), Mike Murawski (Contributor) | Essay, Contemporary art, Art criticism, Commons, Participatory and Public art / Permanent Collection |
 | The Pushcart Prize XLI: Best of the Small Presses 2017 Edition(New York: Pushcart Press, 2016) | Bill Henderson (Editor) | Anthology, Fiction, Poetry, Review, American poetry -- 21st century, American Fiction -- 21st century / Permanent Collection |
 | The public world/syntactically impermanence([Middletown, Conn.] : Hanover, NH : Wesleyan University Press ; University Press of New England, c1999., 1999) | Leslie Scalapino | Bam2016 / BAM Reading Room, 2016, Permanent Collection |
| The Psychoanalyst and the Artist(The New American Library, ?) | Permanent Collection, Laurin Raiken Archive | |