| Title | Author | Tags / Collections | |
|---|---|---|---|
 | The Psychoanalyst and the Artist(Farrar, Straus and Company, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Psychic Life of Power: Theories in Subjection(Stanford, CA: Stanford University Press, 1997) | Judith Butler (Author) | Gender, Critical theory / Permanent Collection |
 | The Provisional Texture of Reality: Selected Texts and Talks, 1977-2007(Zurich, CH: JRP | Ringier, 2008) | Susan Hiller (Artist), Alexandra Kokoli (Editor) | Anthology, 20th century, American art, Criticism and interpretation, Bard2017, Artist writing / Bard Reading Room (2017), Permanent Collection |
| The prophet(New York, Knopf, 1952 [c1951], 1951) | Kahlil Gibran | Permanent Collection, BAM Reading Room (2017) |
 | The Prophecies (New York : Penguin Books, 2012) | Nostradamus (Afterword), Richard Sieburth (Translator), Stéphane Gerson (Introduction) | Poetry, History, Mysticism, Myth / Permanent Collection |
| The Problem of Form In Painting and Sculpture(G. E. Stechert & Co., ?) | Permanent Collection, Laurin Raiken Archive | |
| The Private World of Pablo Picasso: The Intimate Photographic Profile of the World's Greatest Artist(Ridge Press Book, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Principles of Uncertainty(Penguin Books (2009), Edition: First Edition, 336 pages, 2009) | Maira Kalman (Author) | BAM Reading Room (2017) |
| The Principles of Art(A Galaxy Book, Oxford University Press, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Present Is The Form Of All Life: The Time Capsules Of Ant Farm And LST (Brooklyn, NY: Pioneer Works Press, 2016) | Liz Flyntz (Editor), David Everitt Howe (Editor), Ant Farm (Author) | 1970s, 1960s, Design, Architecture, Industrial design, Collective, Contemporary art, American art -- 20th century / Permanent Collection |
 | The predicament of culture : twentieth-century ethnography, literature, and art(Cambridge, Mass. : Harvard University Press, 1988., 1988) | James Clifford | Bard2017 / Bard Reading Room (2017), Permanent Collection |
| The Preacher and His Congregation: Photographs by James Perry Walker(Flint Institute of Art, ?) | Permanent Collection, Laurin Raiken Archive | |
| The Prado(Thames & Hudson, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Postmodern Scene: Excremental Culture and Hyper-Aesthetics(New York: St. Martin's Press, 1986) | Arthur Kroker (Author), David Cook (Author) | Postmodernism, Art theory, Contemporary art / Permanent Collection, Laurin Raiken Archive |
 | The Post-Industrial Prophets of Interpretations of Technology(New York: Harper Colophon Books, 1973 [c.1971]) | William Kuhns (Author) | Technology, Science, Sociology / Permanent Collection, Laurin Raiken Archive |
 | The possible(Berkeley, CA : University of California, Berkeley Art Museum & Pacific Film Archive, [2014], 2014) | Bard2017 / Bard Reading Room (2017), Permanent Collection | |
 | The Politics of Contemplation/From There to Back Again(New York: Murray Guy, 2012) | Zoe Leonard (Author), Elisabeth Lebovici (Author) | Exhibition catalog, Interview / Permanent Collection |
 | The Politics of Collecting: Race and the Aestheticization of Property (Durham, NC: Duke University Press, 2024) | Eunsong Kim (Author) | Aesthetics, Art history, Race, Art theory, Museum studies, Institutional critique / Permanent Collection |
| The Politics of Aesthetics: The Distribution of the Sensible(Continuum, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Police(Oakland, California: Omnidawn Publishing, 2017) | Daniel Poppick, Gillian Olivia Blythe Hamel | Language and Linguistics, Poetry, American poetry -- 21st century / Permanent Collection |
| The poetics of the undercommons (New York, NY : Sputnik & Fizzle, 2016., 2016) | Fred Charles Moten (Afterword) | Study, Black Studies, Pedagogy, Academia, Undercommons / Permanent Collection, BAM Reading Room (2017) |
 | The Poetics of Space(Penguin Classics (2014), Edition: Revised ed., 304 pages, 2014) | Gaston Bachelard (Author) | BAM Reading Room (2017) |
 | The Poetics of Cloth: African Textiles/Recent Art(New York, NY: Grey Art Gallery New York University, 2009) | Lynn Gumpert (Editor), Kofi Anyidoho (Editor), John Picton (Editor), Lynn Gumpert (Editor), Doran Ross (Author), Jennifer Brown (Author), Janet Goldner (Author), Lydie Diakhaté (Author) | Art, African art, Contemporary art, Textile and fiber arts, Bard2018 / Permanent Collection, Bard Reading Room 2018 |
 | The Pleasures of Philosophy (New York, NY; Simon and Schuster, 1953) | Will Durant (Author) | Philosophy / Permanent Collection |
 | The Plays of Hrotswitha of Gandersheim (Bilingual Edition)(Mundelein, IL: Bolchazy-Carducci Publishers, 2013) | Larissa Bonfante (Translator), Robert Chipok (Editor) | Play, Poetry, Theatre, Review, Medieval Studies / Permanent Collection |
 | The Plays of Hrotswitha of Gandersheim(Mundelein, IL: Bolchazy-Carducci Publishers, 2009) | Hrotswitha of Gandersheim (Author) | Play, Poetry, History, Theatre, Review, Medieval Studies / Permanent Collection |
| The plays of Hrotswitha of Gandersheim(Mundelein, Illinois USA : Bolchazy-Carducci Publishers, Inc., [2013], 2013) | Hrotsvitha, Larissa Bonfante, Hrotsvitha, Robert Chipok | Bam2016 / BAM Reading Room, 2016, Permanent Collection |
 | The Playboy of the Western World and Two Other Irish Plays(Penguin Classics (1997), Edition: First Edition, 224 pages, 1997) | J. M. Synge (Author), W. A. Armstrong (Introduction) | BAM Reading Room, 2016, Permanent Collection |
 | The Planets (Rochester, NY: Open Letters, 2012) | Sergio Chejfec (Author), Heather Cleary (Translator) | Fiction / Permanent Collection |
| The Pirate Who Does Not Know The Value of Pi Part 1(Brooklyn, NY: Ugly Duckling Presse, 2013) | Eugene Ostashevsky | Permanent Collection |