| Title | Author | Tags / Collections | |
|---|---|---|---|
 | The Book (Exact Change, 2018 [1957]) | Stéphane Mallarmé (Author), Sylvia Gorelick (Translator) | Poetry, Translation, Visual poetry / Permanent Collection |
 | The Body and the Screen: Theories of Internet Spectatorship (The Massachusetts Institute of Technology, 2006) | Michelle White (Author) | Review, Media studies, Digital media, Feminism and Feminist theory / Permanent Collection, Mindy Seu Cyberfeminism Reference Collection |
 | The Boat in the Evening (Peter Owen Modern Classic)(Peter Owen Publishers (2003), Edition: New and Volume, 200 pages, 2003) | Tarjei Vesaas (Author), Elizabeth Rokkan (Translator) | Bam2016 / BAM Reading Room, 2016, Permanent Collection |
 | The Blue Fox: A Novel(Farrar, Straus and Giroux (2013), Edition: Reprint, 128 pages, 2013) | Sjón (Author), Victoria Cribb (Translator) | Bam2016 / BAM Reading Room, 2016, Permanent Collection |
 | The Blue Flower (Boston, MA: HMH Books, 1995) | Penelope Fitzgerald (Afterword) | Fiction / Permanent Collection |
 | The Blindfold Alphabet (Edition Muta, 2014) | Douglas Blazek (Author) | American poetry -- 21st century / Permanent Collection |
The Blacks of Cape Town (Cape Town, South Africa: Modjaji, 2013) | C. A. Davids (Author) | ||
 | The Black Woman: An Anthology (New York: Washington Square Press, 2005) | Toni Cade Bambara (Afterword), Eleanor W. Traylor (Introduction) | Blackness, Black Studies, Critical theory, African American studies, Black Feminism, Feminism and Feminist theory / Residency Collection |
 | The Black Swan: The Impact of the Highly Improbable (New York: Random House, 2007) | Nassim Nicholas Talib (Author) | Non-fiction / Permanent Collection, Jaime Davidovich Collection |
 | The Black Signs(Berlin: Broken Dimanche Press, 2014) | Lars Mørch Finborud (Author), Becky L. Crook (Translator) | Norway, 20th century, Fiction, Artist writing / Permanent Collection |
 | The Black Poets(Bantam (1985), 384 pages, 1985) | Dudley Randall (Author) | Permanent Collection |
 | The Black New Yorkers : the Schomburg illustrated chronology (New York : John Wiley, 2000) | Howard Dodson (Author), Christopher Moore (Author), Roberta Yancy (Author) | New York, History, African American studies, Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | The Black Condition ft. Narcissus (Brooklyn, NY: Nightboat Books, 2019) | jayy dodd (Author) | African American poetry, American poetry -- 21st century, Trans studies / Permanent Collection, Residency Collection, NYC Trans Oral History Project |
 | The Black City (Berlin, Germany: Sternberg Press, 2018) | Hubert Fichte (Author), Adam Siegel (Translator), Max Bach (Translator), Diedrich Diedrichsen (Foreword), Anselm Franke (Foreword), Leonore Mau (Contributor) | New York, African diaspora, Germany and German Language / Permanent Collection, MoMA Reading Room |
 | The Bigger World(New York: Wave Books, 2011) | Noelle Kocot (Author) | Poetry, American poetry -- 21st century / Permanent Collection |
 | The Biennial Reader: An Anthology of Large-Scale Perennial Exhibitions of Contemporary Art (Ostfildern: Hatje/Cantz, 2010) | Elena Filipovic (Editor), Marieke Van Hal (Editor), Solveig Ovstebo (Editor) | Anthology, Biennial, Exhibition studies / Permanent Collection, Orit Gat Collection |
 | The Bias of Communication (Toronto, CA; University of Toronto Press, 1999) | Harold A. Innis (Author) | Language and Linguistics, History, Political science, Communication studies |
 | The Bias of Communication(University of Toronto Press, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Best Most Useless Dress: Selected Writings of Claudia La Rocco(Badlands Unlimited (2014), 148 pages, 2014) | Paul Chan (Editor), Elizabeth Robinson (Introduction) | Bam2016 / BAM Reading Room, 2016, Permanent Collection |
 | The Best American Book of the 20th Century (Eindhoven, Netherlands: Onomatopee, 2014) | Société Réaliste (Author), Project Projects (Designer) | Artist’s book, Fiction, Artist writing / Permanent Collection |
 | The Beatrix Gates (Chicago, IL: PM Press, 2019) | Rachel Pollak (Author) | Science fiction, Queer, Trans studies, Writing / Permanent Collection |
 | The Beach Beneath the Street: The Everyday Life and Glorious Times of the Situationist International(London: Verso, 2015) | McKenzie Wark (Author) | Situationist International, Politics, Marxism, Political science, Politically engaged / Permanent Collection |
 | The Bavino Sermons(Durban, SA: Gecko Poetry, 1999) | Lesego Rampolokeng (Author) | African literature, Poetry, American poetry -- 20th century / Permanent Collection |
| The Bauhaus(Studio Vista | Dutton Picturebook, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Baudelaire Fractal (Toronto, CA: Coach House Books, 2020) | Lisa Robertson (Author) | Experimental fiction, Fiction / Permanent Collection |
| The Banquet Years: The Origins of the Avant-Garde in France 1885-World War I(Vintage Books Random House, ?) | Permanent Collection, Laurin Raiken Archive | |
 | The Autobiography of Malcolm X: As Told to Alex Haley(NY: Ballantine Books, 1992) | Malcolm X (Author), Alex Haley, Attallah Shabazz (Foreword), Ossie Davis (Afterword), M.S Handler (Introduction) | Memoir, Civil rights, African American studies / Permanent Collection |
 | The Audible Past: Cultural Origins of Sound Reproduction(Durham, NC: Duke University Press, 2003) | Jonathan Sterne | Technology, Sound, Modernism, Music history, Radio, Media studies, Aural history / Permanent Collection |
 | The Assistants (Milan, Italy: Mousse Publishing, 2013) | Fionn Meade (Editor) | Exhibition catalog, Contemporary art / Permanent Collection, Orit Gat Collection |
 | The Ask(New York: Farrar, Straus and Giroux, 2010) | Sam Lipsyte (Author) | American literature, Fiction, American Fiction -- 21st century / Permanent Collection |