| Title | Author | Tags / Collections | |
|---|---|---|---|
 | Tense and Spaced Out: Polar Nights, Glacial Chaos, and the Ecology of Misery(Sequence Press, 2018) | Blake Rayne (Author), David Lewis (Contributor), John Kelsey (Contributor), Laura Owens (Contributor), Jaleh Mansoor (Contributor), Sean Paul (Contributor), Katherine Pickard (Editor), Tim Saltarelli (Editor), Javier Sanchez Martinez (Contributor) | Artist’s book, Exhibition catalog, Painting, Art criticism, Visual essay / Permanent Collection |
 | Tenement (Long Island City, NY: MoMA PS1, 2015) | Gregg Bordowitz (Artist) | 21st century, Art criticism, Museum studies, Bard2017, MoMA Reading Room / Bard Reading Room (2017), Permanent Collection, MoMA Reading Room |
 | TENDER OMNIBUS: The First Twenty-Five Years of Tender Buttons Press(Tender Buttons Press (2016), 620 pages, 2016) | Lee Ann Brown (Editor), Katy Bohinc (Editor) | Bam2016 / BAM Reading Room, 2016, Permanent Collection |
 | Ten Years of Public Art 1972-1982(Gallery at the Urban Center, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Ten Walks/ Two Talks (Brooklyn: Ugly Duckling Presse, 2010) | Jon Cotner (Author), Andy Fitch (Author) | Collaboration, Experimental poetry / Permanent Collection, Dan Fox Collection |
| Ten Schools of Painting in the National Gallery of Art(National Gallery of Art, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Temporal Territories: An Anthology on Indigenous Experimental Cinema (Brooklyn, NY: Light Industry, 2025) | COUSIN Collective (Editor) | Anthology, Indigenous, Video art, Experimental cinema, Film and Film Studies / Permanent Collection, inseparable assembly Reading Room |
 | Tell Them I Said No(Sternberg Press (2017), 120 pages, 2017) | Martin Herbert (Author) | Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Tell Me How it Ends: An Essay in Forty Questions (Minneapolis, MN: Coffee House Press, 2017) | Valerie Luiselli (Author) | Essays, Immigration, Social sciences / Permanent Collection |
 | Tell It To My Heart (Ostfildern, Germany: Hatje Cantz, 2013) | Julie Ault (Editor) | Exhibition catalog, Contemporary art / Permanent Collection, Dan Fox Collection |
 | Television: The First Fifty Years (New York: Simon and Schuster, 1977) | Jeff Greenfield (Author) | Popular culture, Television, Media studies / Permanent Collection, Jaime Davidovich Collection |
 | Television: Technology and Cultural Form(New York: Schocken Books, 1975 [c1974]) | Raymond Williams (Author) | Television, Pop culture, Communication studies / Permanent Collection, Laurin Raiken Archive |
 | Television After TV: Essays on a Medium in Transition (Durham, NC: Duke University Press, 2004) | Lynn Spigel (Editor), Jan Olsson (Editor) | Popular culture, Television, Cultural studies, Media studies / Permanent Collection, Jaime Davidovich Collection |
 | Telepathologies(Saturnalia Books (2017), Edition: 1, 136 pages, 2017) | Cortney Lamar Charleston (Author) | Permanent Collection |
 | TeleGuide: Including Proposal for QUBE (San Francisco, CA: NFS Press, 1980) | Peter S'Agostino (Author) | Visual culture, Communication studies, American art -- 20th century / Permanent Collection, Jaime Davidovich Collection |
 | Techno Casa(Los Angeles / Berlin: Errant Bodies Press, 2015) | Ricardo Benassi (Author), David Smith (Translator) | Music, Bilingual, Media studies, Italy and Italian language / Permanent Collection |
 | TechniColor: Race, Technology, and Everyday Life (New York: NYU Press, 2001) | Alondra Nelson (Editor), Thuy Linh Nguyen Tu (Editor), Alicia Headlam Hines (Editor) | Technology, Race, Music history, Cultural studies, Essay collection / Permanent Collection, Mindy Seu Cyberfeminism Reference Collection |
 | Tear Gas: From the Battlefields of World War I to the Streets of Today (New York: Verso Books, 2017) | Anna Feigenbaum (Author) | Workshops |
 | Teaching to Transgress: Education as the Practice of Freedom (New York: Routledge, 1994) | bell hooks (Author) | Pedagogy, Critical theory, Feminism and Feminist theory, Liberation movements / Permanent Collection, inseparable assembly Reading Room |
 | Teaching for people who prefer not to teach(London: AND, 2017) | Mirjam Bayerdoerfer (Editor), Margherita Huntley (Designer), Rosalie Schweiker (Editor) | Reference, Manual, Pedagogy, Review / Permanent Collection, BAM Reading Room (2017), Collective Question Residency |
 | te issue, no. 1: The Lost Society 失落的协会 (New York and Beijing: te editions, 2023 [2021]) | Michael Guo (Editor), Kechun Qin (Editor), Can Yang (Designer) | Food, Geopolitics, Cultural memory / Permanent Collection |
 | te issue 2: Song of the Nightingale 夜莺之歌 (New York and Beijing: te editions, 2023) | Michael Guo (Editor), Kechun Qin (Editor), Can Yang (Designer) | Sound, Geopolitics, Asia / Permanent Collection |
| Taste for Power Has Nothing To Do With Taste(Merlin Verlag, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Tarnac, A Preparatory Act(Berkeley, CA: Kenning Editions, 2014) | Jean-Marie Gleize (Author), Joshua Clover (Editor), Abigail Lang (Translator), Bonnie Roy (Translator) | France, Poetry, Politics, French language / Permanent Collection |
 | Tarde de invierno / Winter Afternoon (Bilingual Edition)(Groundwood Books (2006), Edition: Bilingual, 32 pages, 2006) | Jorge Elias Luján (Author), Mandana Sadat (Illustrator) | Picture book, Spanish language, Children's literature, Bilingual / Permanent Collection, Children's Library |
 | Tarantula(North Amherst, MA: Factory Hollow Press, 2016) | David Feinstein | Poetry, American poetry -- 21st century / Permanent Collection |
 | Tao te ching(Harmondsworth, Eng. ; New York : Penguin Books, 1963, 1978 printing., 1963) | Laozi., D. C. Lau | Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Tao Te Ching (New York, NY; Penguin Classics, 1963) | Lao Tzo (Author) | Philosophy, Taoism |
 | Talking to the Sun at Fire Island (New York: BOFFO, 2019) | Svetlana Kitto (Author), Fire Island Dance Festival (Author) | Journal, Photography, Dance, Art magazine, Social documentary photography, MoMA Reading Room, MoMA Reading Room 1 / Permanent Collection, MoMA Reading Room |
 | Tales of Our Time(New York City, NY: Guggenheim Museum, 2016) | Hou Hanru (Editor), Xiaoyu Weng (Editor), Han Song (Contributor), Li Juan (Contributor), Brian Kuan Wood (Contributor), Lo Yi-Chin (Contributor) | Exhibition catalog, Chinese art, Contemporary art, Politically engaged / Permanent Collection |