| Title | Author | Tags / Collections | |
|---|---|---|---|
 | Willem de Kooning: The North Atlantic Light 1960-1983(Stedelijk Museum, ?) | Permanent Collection, Laurin Raiken Archive | |
| Willem de Kooning(George Braziller Inc., ?) | Permanent Collection, Laurin Raiken Archive | |
| Willem de Kooning(Museum of Modern Art & The New York Graphic Society Ltd., ?) | Permanent Collection, Laurin Raiken Archive | |
 | Will Work for Drugs(Brooklyn, NY: Akashic Books, 2009) | Lydia Lunch (Author) | Memoir, Fiction, Essay, Interview, Review / Permanent Collection |
 | Will Work for Drugs (Brooklyn, NY: Akashic Books, 2009) | Lydia Lunch (Author) | Essays, Fiction, Short stories / Permanent Collection |
| Will Barnet, Bob Blackburn: An Artistic Friendship in Relief(Cochran Collection, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Wild Tongues Can't Be Tamed (New York: Flatiron Books, 2021) | Saraciea Fennell (Author) | Young adult, American poetry -- 21st century, Youth activism, Afro-Latino Studies, Latin American Poetry / Permanent Collection |
 | Wild Mind: Living the Writer's Life(New York: Bantam Books, 1990) | Natalie Goldberg (Author) | Biography / Permanent Collection, Laurin Raiken Archive |
 | Wicked Enchantment: Selected Poems (Boston, MA: Black Sparrow Press, 2020) | Wanda Coleman (Author), Terrance Hayes (Editor) | African American poetry, American poetry -- 21st century / Workshops |
 | Why Call It Labor? On Motherhood and Art Work (Brussels, Belgium: Mophradat; Berlin, Germany: Archive Books, 2020) | Nikki Columbus (Author), Lara Khaldi (Author), Basma Alsharif (Author), Mai Abu ElDahab (Editor), Mirene Arsanios (Author) | Arabic poetry, Arabic literature, Feminism and Feminist theory, Motherhood and Birth / Permanent Collection |
Whore Foods (Brooklyn, NY: Inpatient Press, 2019) | Laura Warman (Author) | LGBTQ, Queer, American poetry -- 21st century / Permanent Collection | |
 | Whole Language Language(Iowa City, Iowa: Lingua Press, 1988) | Kenneth Gaburo | Language and Linguistics, Poetry, Music, Essay / Permanent Collection |
| Whole Arts Directory(Midmarch Arts Book, ?) | Permanent Collection, Laurin Raiken Archive | |
 | Who Touched Me? (Amsterdam: If I Can't Dance, I Don't Want to be Part of Your Revolution; Idea Books, 2016) | Fred Moten (Author), Wu Tsang (Author), Frederique Bergholtz (Introduction), Susan Gibb (Introduction) | Europe, Performance, Periodical, Performance studies / Permanent Collection |
 | Who Told You So?! The Collective Story vs. the Individual Narrative(Eindhoven, Netherlands: Onomatopee, 2013) | Freek Lomme (Editor) | Art, Politics, Essay, Sociology, Collective, Visual culture / Permanent Collection |
 | Who Owns the World? (New York: Harris Liberman Gallery and Lulu Press, 2011) | Joshua Simon (Artist), Ohad Meromi (Artist) | Exhibition catalog, Contemporary art / Permanent Collection, Orit Gat Collection |
 | Who Owns the Future? (New York: Simon and Schuster, 2014) | Jaron Lanier (Author) | Technology, Non-fiction, Political science / Permanent Collection, Orit Gat Collection |
 | Who Cares? Dance in the Gallery & Museum(London: Siobhan Davies Dance, 2015) | Sara Wookey (Author), Catherine Wood (Author), Andrew Bonacina (Author), Florence Peake (Author), Nicola Conibere (Author) | Performance, Dance, Galleries, Museum studies, Bam2016 / BAM Reading Room, 2016, Permanent Collection |
 | Whitney Biennial 2014(New York: Whitney Museum of American Art, 2014) | Whitney Museum of American Art (Editor), Anthony Elms (Author), Stuart Comer (Author), Michelle Grabner (Author) | Exhibition catalog / Permanent Collection |
 | Whitney Biennial 2012 (New Haven, CT: Yale University Press and Whitney Museum of American Art, 2012) | Adam D. Weinberg (Contributor), Eric Banks (Contributor), Jay Sanders (Contributor), Elizabeth Sussman (Contributor), Thomas Beard (Contributor), Ed Halter (Contributor), John Kelsey (Contributor), Andrea Fraser (Contributor), David Joselit (Contributor) | Exhibition catalog, Contemporary art, Biennial / Permanent Collection, Dan Fox Collection |
 | Whitney Biennial 2010 (New York: Whitney Museum of Art, 2010) | Adam Weinberg (Foreword), Francesco Bonami (Author), Gary Carrion-Murayari (Author) | Exhibition catalog, Contemporary art, Biennial / Permanent Collection, Dan Fox Collection |
 | Whitney Biennial 2008(New York: Whitney Museum of American Art, 2008) | Henriette Huldisch (Author), Rebecca Solnit (Author), Shamin M. Momin (Author) | Exhibition catalog, Biennial / Permanent Collection |
 | Whitney Biennial 2006: Day for Night(Whitney Museum of American Art (2006), 396 pages, 2006) | Chrissie Iles (Author) | Bard2017 / Bard Reading Room (2017), Permanent Collection |
 | Whitney Biennial 2004(New York: Whitney Museum of American Art: Distributed by H.N. Abrams, 2004) | Chrissie Iles (Author), Debra Singer (Author), Shamim Momin (Author) | Exhibition catalog, Contemporary art / Permanent Collection |
 | Whitney Biennial 2002(New York: Whitney Museum of American Art; Distributed by H.N. Abrams, 2002) | Lawrence Rinder (Author), Chrissie Iles (Author), Debra Singer (Author), Christiane Paul (Author) | Exhibition catalog, Contemporary art, Biennial / Permanent Collection |
 | Whiteboards: Autobiography #8 (Rochester, NY: Scott McCarney Visual Books, 2013) | Scott McCarney (Author) | New York, Autobiography, Photography, American art, Self-publishing, Artist book, Artists' books / Permanent Collection |
 | White Blight(New York City: Argos books, 2015) | Athena Farrokhzad, Jennifer Hayashida (Translator) | Swedish poetry, Poetry, Immigration, Memory / Permanent Collection |
 | Which Witch is Which and/or Summertime(St. Louis, MO: White Flag Projects, 2010) | Ajay Kurian (Author) | Exhibition catalog, Essay, Contemporary art / Permanent Collection |
 | Whether Line: Lizzie Fitch, Ryan Trecartin (Milan, Italy: Fondazione Prada, 2019) | Lizzie Fitch (Artist), Ryan Trecartin (Artist), Chiara Costa (Editor), Mario Mainetti (Editor) | Exhibition catalog, Installation art / Permanent Collection, Jaime Davidovich Collection |
 | Whereas : poems(Minneapolis, MN: Graywolf Press, 2017) | Layli Long Soldier | Indigenous, Poetry, Colonialism, Review, American poetry -- 21st century, Bard2017 / Bard Reading Room (2017), Permanent Collection |